About
Exhibitions
Blood as Thick as Water
Currents
First Year Columbia MFA Exhibition
Desastre!
How to Inherit a Hazard
VOLUME
Container
Haptic Register
Selected Works
Be With Me (Not Here, Not There Either)
This is How You Hold Me
In Defense of Our Little Homes
Tomorrow I'll Be a Pretty Boy
Touch Me in the Morning
Our Semiprivate Ecstasy
To Make Ourselves Indecent
They Let Intimacy Fuse Them
Wherein I Long to Love You Longer
I Knew You Here Once
Warming Into my Entry Wounds
Ascension
I Call Myself Improper
Mutual Predation
Break Me Open
A Force of Exposure
My Vast Invented Country
Rehearsal For Tomorrow and the Day After
Touch Me Not
Mine & My Own
Peasant Topologies
Enfleshment
Boundary Event
Bloodlines
ANDRIUS ALVAREZ-BACKUS
About
Exhibitions
Blood as Thick as Water
Currents
First Year Columbia MFA Exhibition
Desastre!
How to Inherit a Hazard
VOLUME
Container
Haptic Register
Selected Works
Be With Me (Not Here, Not There Either)
This is How You Hold Me
In Defense of Our Little Homes
Tomorrow I'll Be a Pretty Boy
Touch Me in the Morning
Our Semiprivate Ecstasy
To Make Ourselves Indecent
They Let Intimacy Fuse Them
Wherein I Long to Love You Longer
I Knew You Here Once
Warming Into my Entry Wounds
Ascension
I Call Myself Improper
Mutual Predation
Break Me Open
A Force of Exposure
My Vast Invented Country
Rehearsal For Tomorrow and the Day After
Touch Me Not
Mine & My Own
Peasant Topologies
Enfleshment
Boundary Event
Bloodlines
"Be With Me (Not Here, Not There Either)" (2024-25)
Dried Manila palm leaves, pigmented beeswax, aluminum.
216” x 28” x 28”
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