Solo Pop-Up Exhibition presented by Happenings
Chelsea Walls
March 25th–April 6th, 2025
Installation view of "Some Dissemblance Required" by Andrius Alvarez-Backus
Installation view of "Some Dissemblance Required" by Andrius Alvarez-Backus
Installation view of "Some Dissemblance Required" by Andrius Alvarez-Backus
Installation view of "Some Dissemblance Required" by Andrius Alvarez-Backus
Installation view of "Some Dissemblance Required" by Andrius Alvarez-Backus
Installation view of "Some Dissemblance Required" by Andrius Alvarez-Backus
Installation view of "Some Dissemblance Required" by Andrius Alvarez-Backus
Installation view of "Some Dissemblance Required" by Andrius Alvarez-Backus
Installation view of "Some Dissemblance Required" by Andrius Alvarez-Backus
Installation view of "Some Dissemblance Required" by Andrius Alvarez-Backus
Installation view of "Some Dissemblance Required" by Andrius Alvarez-Backus
Installation view of "Some Dissemblance Required" by Andrius Alvarez-Backus
Chelsea Walls is pleased to present Some Dissemblance Required, a solo exhibition by Andrius Alvarez-Backus, in collaboration with Happenings.The works on display take the concept of dissemblance as their point of departure, or the act of disguising one’s true feelings. Through various tactics of abstraction and transformation, the exhibition probes the hidden as a sacred yet often overexposed realm of potential. 
In the eight exhibited paintings, the substrate consists of hand-sutured textiles intimately connected to the body: clothing, bedsheets, tablecloths, upholstery fabric, bandages, muscle wraps, and more. By collaging these somatically charged materials, Alvarez-Backus explores traces of intimacy without relying on explicit legibility. The artist’s subtractive process of sanding between layers of paint reflects the show’s central theme of seeking the fugitive, and unveiling the camouflaged.
The accompanying sculptures transform everyday objects—used towels, lawn chairs, window blinds—into personal allegories of desire, embodiment, and memory. These familiar items reside on the boundaries between public and private spaces, and the images fragmented across their surfaces stage domestic fantasies of stillness and leisure. Despite their poetic presence, the sculptures resist clear interpretation, inviting viewers to question the ways bodies are shaped and reshaped through ornamentation, material culture, and intimate entanglements.
"Hold You Down, Hoist Me Up (No. 1)" by Andrius Alvarez-Backus
"Hold You Down, Hoist Me Up (No. 1)" by Andrius Alvarez-Backus
"Hold You Down, Hoist Me Up (No. 2)" by Andrius Alvarez-Backus
"Hold You Down, Hoist Me Up (No. 2)" by Andrius Alvarez-Backus
"Hold You Down, Hoist Me Up (No. 3)" by Andrius Alvarez-Backus
"Hold You Down, Hoist Me Up (No. 3)" by Andrius Alvarez-Backus
"Hold You Down, Hoist Me Up (No. 4)" by Andrius Alvarez-Backus
"Hold You Down, Hoist Me Up (No. 4)" by Andrius Alvarez-Backus
"Hold You Down, Hoist Me Up (No. 5)" by Andrius Alvarez-Backus
"Hold You Down, Hoist Me Up (No. 5)" by Andrius Alvarez-Backus
"Handle With Care, He Requested" by Andrius Alvarez-Backus
"Handle With Care, He Requested" by Andrius Alvarez-Backus
"We Go the Distance and Back Again" by Andrius Alvarez-Backus
"We Go the Distance and Back Again" by Andrius Alvarez-Backus
"Wherein I Long to Love You Longer" by Andrius Alvarez-Backus
"Wherein I Long to Love You Longer" by Andrius Alvarez-Backus
"We Collect Ourselves" by Andrius Alvarez-Backus
"We Collect Ourselves" by Andrius Alvarez-Backus
"A Room in Which We Rest (and Other Private Matters)" by Andrius Alvarez-Backus
"A Room in Which We Rest (and Other Private Matters)" by Andrius Alvarez-Backus
"I Knew You Here Once" by Andrius Alvarez-Backus
"I Knew You Here Once" by Andrius Alvarez-Backus
"Just Between Us" by Andrius Alvarez-Backus
"Just Between Us" by Andrius Alvarez-Backus
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